Category: Réplicas

Replicas de artículos de películas o televisión.

  • Umayyad Caliphate art. Madinat al-Zahra replicas

    Umayyad Caliphate art. Madinat al-Zahra replicas

    Caliphic art is one of the stages of development of Islamic art in Al-Andalus, and passes between the 8th and 10th centuries, (beginning of the Taifa Kingdoms).

    Andalusí Muslim art developed according to religious canons and oriental influences, adapting many times to pre-Muslim architectural and decorative techniques or motifs.

    In Cordoba, capital of the caliphate created by Abderramán III in 929, there are some of the most representative buildings of this stage. The Mezquita and Medina Azahara. (Madinat al-Zahra).

    Madinat al-Zahra was a city created on the outskirts of Cordoba (about 8 km in the direction of Sierra Morena), which stood out for the luxury with which it was built although it had a brief existence.

    The archaeological site of Medina Azahara has been declared monument of cultural interest since 1923. On January 27, 2015, Madinat al-Zahra was inscribed on the Indicative List of Spain of the World Heritage Site, category of cultural property (No. ref 5978).

    On January 12, 2017, the final document of the candidacy was registered to be part of the World Heritage List.

    As part of the items on sale in his museum, we have made reproductions of two elements representative of the art (and craftsmanship) of the site.

     

    “Ataurique. House of Ya’far.”

     

    Imagen facilitada por la tienda del museo para su estudio y reproducción.

     

    Detail of a board with decoration of ataurique – decorative vegetal motif, typical of Islamic art, created from the stylization of leaves and fruits – located in the span of the facade of the house of Ya’far, prime minister of al-Hakam II from the year 350 (AD 961)

    Reproduction made in aged resin, on velvet and frame to hang.

    Ataurique reproduction. Ya’far house.
    Ataurique reproduction. Ya’far house.
    Ataurique reproduction. Ya’far house.
    Portada de la vivienda de Ya’far. De Sombradeparra – http://www.juntadeandalucia.es/cultura/museos/CAMA/

     

    This wall rises on the eastern side of the patio that precedes the official or working area of the dwelling, constituting the monumental facade of it.

     

     

     

     

     

    “Casket of Princess Wallada”

     

    Replica of the casket of Princess Wallada which is preserved in the museum.

    This ivory chest includes a dedication to a member of the Umayyad family, the main recipient of these luxury objects destined for high dignitaries and foreign ambassadors. Held in Caliph’s workshops, this chest dedicated to Wallada, sister of al-Hakam II, is one of only two pieces in whose inscription it is said that they were made in Madinat al-Zahra:

     

    “In the name of God, blessing of God, rejoicing, happiness and joy for Sister Wallada for what was done in Madinat al-Zahra in 355 AD 966”

    The box that is currently exhibited in the museum is a careful replica, since the original belongs to the Foundation Institute Valencia Don Juan.

    Our reproduction is built in a smaller size, since it is conceived to be sold as souvenir in the museums store, although conserving the essence of the original one. Made in resin with marble load.

    Both pieces are on sale in the museum’s physical store in the Madinat Al-Zahra Archaeological site.

    More information:

    https://es.wikipedia.org/wiki/Arte_emiral_y_califal

    https://es.wikipedia.org/wiki/Medina_Azahara

    https://www.tiendasculturalesdeandalucia.es/cultura/tiendas-culturales/web/guest/home/-/articulo/tienda/TMZ

  • Winged keys

    Winged keys

    A new year at Hogwarts begins and to celebrate we present a new article on our website.

    On this occasion it’s our winged key, inspired by the passage in which Harry Potter and his friends find themselves with a room full of winged keys that obstructs their passage in the search of the Philosopher’s Stone.

    “These birds… they can’t be here just for decoration,” said Hermione.
    They watched the birds soaring overhead, glittering — glittering?
    “They’re not birds!” Harry said suddenly. “They’re keys! Winged keys —
    look carefully. So that must mean…” he looked around the chamber while
    the other two squinted up at the flock of keys. “… yes — look!
    Broomsticks! We’ve got to catch the key to the door!”
    “But there are hundreds of them!”

    Harry Potter and The Philosopher’s Stone

    J.K. Rowling

    Well, we have made for you one of these keys halfway between enchanted object and magical creature.

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    It is a brass key with “natural” wings, thanks to the seeds with the fact that we have a very natural look.

    As you can see, it is available in the birdcage version and the version of semi-freedom, with a support shaped clamp.

    Happy back to school!

  • The invention of the telephone.

    The invention of the telephone.

     

    On June 25, 1876, Alexander Graham Bell demonstrated the prototype of its new invention, the telephone and it is this apparatus that I’m talking about today.

    TelephonePatentDrawingBell
    “TelephonePatentDrawingBell” by Alexander Graham Bell – This media is available in the holdings of the National Archives and Records Administration

    We are not going into a controversy of who actually invented the telephone and the reasons why Antonio Meucci (who had begun the process of its patent years earlier) and Elisha Gray failed to patent it before. The fact is that the patent was issued to Bell on March 7, 1876.

    Bell had great knowledge of acoustics and voice modulation as his mother and wife were deaf, and his father, grandfather and uncle were all elocutionists.

    For many years he focused his efforts in trying to transmit sound through electric means.

    In 1874 while trying to develop a harmonic telegraph, his assistant Thomas A. Watson discovered that could transmit more than one note using iron membranes driven by electromagnets. Bell immediately saw the possibilities it offered them and began to develop a new device to transmit voice.

    84842_3
    Primer diseño de teléfono.

    In 1875 they built the first model (shown in the photo at left) that did not really work.

    After some experiments and modifications, including a membrane of little harder iron, or a liquid transmitter, Bell decided to patent it (even without many details of the invention) seeing that it was viable (with quite discreet results).

    On March 7, 1876 he was awarded with the patent and starts experimenting again. Only three days later, on March 10, managed to transmit the first words to his assistant who were in another room.

    This page in his laboratory notebook records the event:

    Biblioteca del congreso Diario de laboratorio de Graham Bell. Dia 10 de Marzo de 1876.

    “I then shouted into M [the mouthpiece] the following sentence: ‘Mr. Watson–come here–I want to see you.’ To my delight he came and declared that he had heard and understood what I said. “.

    The demonstration that took place in the Universal Exhibition in Philadelphia, announced the invention to the world and the news caught the press at the time.

    In November 26, 1876 the first telephone conversation between the cities of Boston and Salem, Massachusetts, at a distance of 16 miles is performed.

    One of the two phones that were used at that time is in the National Museum of American History (Smithsonian).

    Bell's Large box telephon Bell box telephone.

    Bell's Large box telephon Bell box telephone.

    It consisted of an iron diaphragm, two iron core coils and a permanent horseshoe magnet.

    As described by the museum itself:

    “When used as a transmitter, sound waves at the mouthpiece cause the diaphragm to move, inducing a fluctuating current in the electromagnets. This current is conducted over wires to a similar instrument, acting as a receiver. There, the fluctuating current in the electromagnets causes the diaphragm to move, producing air vibrations that can be heard by the ear. This was a marginal arrangement, but it worked well enough to be employed in the first commercial services in 1877. The magneto receiver continued to be used, but the transmitters were soon replaced by a carbon variable-resistance device designed by Francis Blake and based on a principle patented by Thomas Edison.”

    And this is where we present our work.

    With the invaluable assistance of my father (Jose Manuel Corral Rodriguez), who has developed and built with us this model (and here we thank him), we have built a working replica of the first commercial model.

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    6 (Large)

    Although some elements have been modified to replace by modern pieces (like magnets), the external appearance is the same as the original.

    Here’s a soundcheck:

    17 (Large)16 (Large)14 (Large)12 (Large)8 (Large)

    As explained in the description of the Smithsonian, soon using this model as a transmitter and receiver, they decided to adopt the carbon microphone, thanks to which they could hear much better.

    We have also constructed a (not replica) device to use one of these microphones without the need to have two copies of the phone.

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    Together with some 32 feet cable, to be able to move away enough so that you can hear the device itself, not the raw voice.

    You can buy one of our replicas in our store.